An unflinching look at the ongoing debate on violence in movies and its effect on the audience.

The Invisible Other is a documentary film that explores the presence of caste in films and film production in Tamil cinema, especially since the 1990s.

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

Marianne is THE richest woman in the world. Pierre-Alain, is a dandy-writer-photographer in Paris. They meet on a photo shoot and become inseparable. Their loving friendship surprises, amuses, intrigues, makes people talk and eventually unsettles the billionaire’s entourage and family. Marianne's daughter, in particular, struggles with her mother’s sudden complicity with this younger man insatiable for money.

Rocio, a Maya Mam girl, lives in the mountains with her mother, who is pregnant and her granny. Due to an early delivery from her mother, Rocio is stuck with caring for a herd of sheep, the first time she has done it on her own. Playing in the mountains she loses one of the sheep. Looking for it, she will lose the rest of the herd. In the midst of this tragedy, Rocio will have to face her innocence, conquer her fear of fog and learn that freedom entails responsibility. Nature will teach her that you do not have to defeat your fears, you just have to experience them. The Greatest House in the World is a story of children -which we all are- when facing fears, the unknown, the uncertain... the fog.

Mr. T's first starring made-for-TV movie role has him playing a tough and scowling, but softhearted, nightclub bouncer who finds himself involved with a bunch of kids after being conned into taking over a youth center.

Izzy, the youngest son of a troubled New York family, takes a shine to breaking into people's apartments as a way to get attention.

长达十年的全球之旅记录了在世最长寿者这一称号不断变化的纪录保持者。起初对长寿的描绘逐渐演变成对时光流逝、命运无常以及活着的喜悦和深刻人类体验的沉思。地球上最年长的人并非你突然邂逅之人，也不是你长久熟知的……

Follows the life of Bill Walton, from his earliest days as a high school basketball phenom to some of his wildly successful years at UCLA.

In the face of executives insisting on selling UFA, producer Kaufmann, infused with the same spirit as President Klitzsch, declares that they will make a low-budget entertainment film that the public is sure to love. Who will take on such an audacious task? When Kaufmann himself is shuttered, one man takes up the challenge—Theo Wegmann, an assistant director at UFA. Foreseeing the end of the age of silent films, Theo suggests making a talking movie with singing. If Hollywood can do it, so can we here in Berlin! With the condition that he gets to choose his cast and staff, Theo promises Kaufmann that he will produce a low-budget movie that will entertain everyone and be a major hit.